Sonia Ben Achoura is originally from Paris, France. An artist with a previous career in psychology, she lives and works in
London, UK. She exhibits her work across Europe and sells internationally. Her art and writings appears in
Feb 2015. ‘Inner Visions’. Solo exhibition. MostArt Centre, London, UK.
May-June 2013. ‘Art, Spirit and Psychology’. Solo exhibition. Brady’s Art Centre, London, UK
November 2012. ‘Psychological Symbols’ Solo exhibition. Oxford House Gallery, London, UK
2001. ‘Interdimensional Mandalas’ Solo exhibition. Global Cafe Gallery, London, UK.
Apr 2021. Group exhibition at Artcore Gallery in Derby with Hatchery Arts International Residency.
Dec 2020. Group exhibition at Dragonfly Gallery in Norwich.
15 Nov to 6 Dec 2020. Stay Connected. Virtual exhibition curated by Lois Emma Harkin.
15 Nov to 6 Dec 2020. Autumn Salon at Candid Arts Centre. Preview on 3rd Dec.
Oct-Nov 2020. Bath Art Exhibition with Art Gallery SW - Both Gallery and Online exhibitions.
Oct-Nov 2020. Red Online Exhibition - Rooftop Art Centre.
Oct 2020.The Art of Isolation. Group Exhibition at Espacio Gallery in London.
June-Oct 2020. Art of Caring exhibition. Exhibitions at St Pancras Hospital and
St George’s Hospital.
2020. Online exhibition Covent-19 on Instagram.
Online exhibition of painting The Last Sunset, corresponding poem, and a curatorial note
Feb 2019. ''Alpha Theta'' ArtNumber23 Group exhibition. The Old Biscuit Factory. London, UK.
Oct 2018. ‘’Future Icons’’. Fiera Contemporanea, from 26 to 29 Cesena Fair, (FC), Italy.
Nov 2018. ‘’Future Icons’’ at Patrizio Gallery, Padua, Italy.
May 2016. Espacio Gallery. ''Works on paper'' FPS Group exhibition. London, UK.
Aug 2015. “Viewpoints” Group Exhibition. Espacio Gallery.
Apr 2012. “Urban Karma” Maad Art Collective at The Pallatine Gallery. London, UK.
June 2018 to present. Book writing project on art and psychology.
Mar 2019. Artwork commissioned for new record label ‘BE’ by KatrinKa. EP cover design and promotional materials. Featured on Beatport.
April-July 2016. Private commission of triptych ‘Interconnectedness’.
2002. Stage sets and sculpture installation for ‘Earth Dance’ Festival, Santiago, Chile.
2001-2003 CD artwork for albums by Yellow Magnetic Star, ‘Son of the Light’ and ‘Mandala of Light’.
May 2020 to present. Residency with Hatchery International Art Residency, with upcoming exhibition in Apr 2021.
Apr 2020. NY20 Art Residency. Ongoing international project, based in China
February-April 1999. Mandala research project, McLeod Ganj, home of the Tibetan people in exile, India.
My blog can be followed on my website:
Online publication of painting The Last Sunset, corresponding poem, and a curatorial note
June 2020. RegenerArt. Art book featuring my painting ‘Human Eclipse’ and poem.
June 2020. When The Dust Settles – WTDS. Magazine and online exhibition and magazine.
April 2020. The MASS publication. April issue entitled ‘Decolonise’
Painting ‘The Last Sunset’ is published on p36 alongside poem
March 2020. The MASS publication. April issue entitled ‘Matriarchy’
Painting ‘The Future of Life’ is published on p40 alongside a writing on the painting
Publication of paintings The Dream and Neural Integration, alongside writings, on E-magazine by Greta Sharp
March 2020. ‘PonderSavant’ online art magazine. Painting ‘The Future of Life’ is published alongside a writing on the painting
March 2020. ‘Dwell Time’ blog and art magazine. Painting ‘The Future of Life’ is published alongside a writing on the painting
March 2020. Wotisart art magazine. Painting ‘God Within’ is published alongside a writing on the painting
July 2019. Average Art Magazine. Painting ‘God Within’ published alongside a writing on my art practice
May 2019. Cooltzine art magazine. Painting ‘Future Landscape’ published with a writing on the topic of shared space
Member of the Hatchery Art Collective from April 2019
April 2019. A member of the International Invisible Art Collective, three paintings published in the collective’s online book on the topic Something? Nothing?
Online art magazine ‘The Painter's Tongue’:
Article by MT McClanahan